
Almost every family I photograph in Zug asks a version of the same question, usually at the end of the session, while the children have run out of patience. When should we do this again?
Some are looking for a rule. Most are asking because they have just worked out how much changed since the last set of photographs, and they would rather not be caught out a second time.
So, how often should you do family portraits? The honest answer is not a number. It depends on how old your children are, how long you are staying in Switzerland, and which season you want to keep repeating. What follows is how I answer it as a family photographer in Zug, with the timings and the trade-offs written down rather than left vague.
Frequency is the part families get wrong, and it costs them more than the choice of photographer does.
Children change on a schedule nobody controls. The gap between two and three years old looks enormous in photographs. The gap between eleven and twelve barely registers. If you book at random, you end up with four photographs of the same year and nothing from the year everything shifted.
There is a second reason, and it matters more if your family is spread across countries. The people who look at these photographs most are the ones who are not in them. Grandparents in Manchester, a sister in Toronto, cousins your children have met three times. An updated set each year is the closest thing to those people watching your family grow.
Once a year suits most families, twice a year suits families with small children, and a milestone-led rhythm suits families whose life does not run on a calendar. Here is how to tell which one you are.
An annual session is the right rhythm for the majority of families I work with in Zug and Zurich, and it is what I recommend unless there is a reason to do otherwise.
It gives you year-on-year change without turning photography into a project. It gives you one reliable set of images for cards, for the wall, for grandparents. And if you hold the same season each year, the photographs start to work as a series rather than a pile.
Best suited to: families with school-age children, families with two working parents and full weekends, anyone who wants one set of images a year they can rely on.
One thing worth doing: pick your season and keep it. Autumn in Zug is my busiest window, and families who book the same fortnight each year end up with something none of my other clients have. Ten photographs, ten Octobers, same light, different children.
If you have a baby, a toddler or a preschooler, twice a year is the better call, and the reason is simply how fast small faces change.
A six-month-old and a twelve-month-old are not the same child. Between two and five, the baby face goes and something closer to the adult face arrives. Photograph annually through those years and you will have gaps you cannot go back and fill.
Most families run this pattern until the first year of school, then drop to annual. A common version in Zug: a full session in autumn, a shorter one in spring. The spring one does not need to be elaborate. Twenty minutes by the lake with a toddler who is still fresh is worth more than an hour with one who is finished.
Some families would rather photograph events than dates, and that works well when your year is unpredictable.
These are the milestones families in Zug and Zurich book most often:
That last one gets forgotten and then regretted. More on it further down.

Frequency is a decision made from four inputs. Work through them in order and the answer usually appears on its own.
Age is the single biggest factor, because it determines how fast the thing you are photographing changes.
Be honest about capacity, because a session you dread is a session that photographs badly.
Families with two demanding jobs and three children usually do better with one well-planned session a year than with several small ones squeezed into weekends that are already full. Families with more flexibility can spread the load and enjoy it.
There is no prize for frequency. A family who books once a year and shows up unhurried will get better photographs than a family who books three times and arrives late to all of them.
Photography is a real line in the budget and it deserves to be planned like one, not decided in the week you want the session.
Two approaches work well. Set an annual figure and book to it, so the decision is made once rather than every time. Or alternate: a full session one year, a shorter one the next. If you would rather see the reasoning behind that spend before you commit, I have written about why families hire a professional rather than relying on phone photographs.
Ask about multi-session arrangements before you book the first one. It is easier to plan two sessions together than to negotiate the second one afterwards.
Zug gives you four usable seasons, which means the frequency question is really a season question.
April and May bring blossoms along the Zugersee promenade and the lake path is still quiet. June through August opens the higher ground: Zugerberg, the path at Cham, the meadows above Walchwil. Late September into October is my busiest window and deservedly so, because the foliage turns and the light goes gold by four in the afternoon. Winter moves indoors, or outdoors for twenty honest minutes if your children will tolerate gloves.
If you are choosing a first location and want to see what the canton offers across the year, Zug Tourismus is a good place to start.

Swiss weather changes fast, so a grey forecast is not a lost session. It is a decision made the day before.
We look at the forecast together and choose. Move indoors, where an in-home session works in any weather and often produces the more personal set of images. Or move the date, which is straightforward as long as we are not inside the last week of the autumn window. MeteoSwiss is the forecast I actually use, not the one on your phone.
Overcast is not the problem people assume it is. Flat light is kind to faces. The only weather that genuinely stops us is heavy rain, and real cold with small children.
If you are in Switzerland on a contract, timing carries a second layer that families who grew up here never have to think about.
Most international families in Zug and Zurich book around two fixed dates. The summer trip home, where the photographs get handed over in person. And the cards that need to reach grandparents by early December. Work backwards from the second one and you land on late September or early October. Your gallery arrives within 5 business days, prints ordered by mid-November, in the post by the twentieth.
The other session worth planning is the one in the year you leave. Your own flat, not a studio. The playground where your children learned to walk. The walk to school you are about to stop doing. Nobody books that session while they are still deciding whether to renew the contract, and it is the one families write to me about afterwards.
If you already know this is what you are looking for, read what a family photo session in Zug and Zurich looks like, or write to me directly.

Whatever frequency you settle on, four things make the difference between a session that works and one that is merely fine.
Book early. Eight to twelve weeks ahead for most of the year. Autumn foliage dates and December fill first, and so does any weekend built around family flying in.
Choose places you actually go. The park you walk to on Saturdays photographs better than a location chosen because it looks good online. Your children behave differently somewhere they know, and that difference is visible.
Leave the morning empty. The single biggest predictor of a good session is that nobody arrived stressed. Not the outfits, not the light.
Do something with the photographs. Print them. Send them. A gallery nobody opens after the first week was not worth the session.
Clothing is where families overthink, so here is the short version.
Soft and simple, in earthy tones: beige, cream, sage, dusty blue. Coordinate rather than match. Skip busy patterns and large logos, which pull the eye straight off your faces. Fitted rather than tight, and comfortable enough that your children forget they are wearing it.
We go through this properly on the call before your session, and I will tell you honestly if something is not going to work.

You now have enough to decide. Here is the sequence I would follow, in order.
Once a year for most families. Every six months while a child is under five, because faces change fastest before school age. If you are here on a two or three year posting, book annually and add one session in the month before you move.
Late September to mid-October. The foliage around Zugersee is at its best and the light goes warm by four in the afternoon. That window fills first, so book 8 to 12 weeks ahead. May is the second-best choice, when the blossom is out and the lake path is quiet.
We decide together the day before, and you choose. In-home sessions in Zug and Zurich work in any weather, and moving the date is straightforward outside the last week of the autumn window. Overcast weather is not a reason to move anything, because flat light is kind to faces.
Eight to twelve weeks for a standard weekend session. Longer for autumn foliage dates and December, which are the two windows that sell out. If prints need to be posted abroad before Christmas, October is the last safe month to photograph.
Your gallery arrives within 5 business days, as a private online gallery. Full resolution, print-ready, simple to download and easy to send to family in another country. The gallery stays open for 60 days and prints can be ordered directly through it.
Autumn is the window most families ask about, and it is close.
I have limited weekends left for October foliage sessions around Zugersee and Zugerberg, plus in-home and winter dates through December for families who want cards out before the post slows down. Spring 2027 is open now if you would rather plan a year ahead and keep the same season each time.
If you are working out how often you should do family portraits for your own family, tell me the ages of your children and roughly how long you are staying in Switzerland. I will tell you what I would do.
Mary Fernandez is a photographer, digital marketer and SEO copywriter with more than a decade of experience, working with families across Canton Zug and Zurich. She photographs annual family sessions, maternity, newborn and milestone portraits, in English, Spanish and Portuguese. Her approach is to strip away everything unnecessary until what is left is the family as they actually are. More about Mary
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